King of Scots, submits at Abernethy, confirming the Conquest Rebellion of the. Keep in mind that forced SoP unlock events like Rebellion and War for the Throne do not permanently change the unlock schedule of a kingdom, so you should expect all Seats of Powers to resume their typical unlock schedule after the event ends. Campaigns in Devon and Cornwall, suppressing the uprising Summer William. WALES: RESISTANCE, CONQUEST AND REBELLION c.1240-1415 THEME 1: Society, culture and the economy c. Start times can vary slightly by kingdom but the overall duration will remain the same. Description: Chapel Hill : The University of North Carolina Press, 2017 Series: Justice, power, and politics Includes bibliographical references and index. Other titles: Justice, power, and politics.
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What’s nice about this comp is that you can split your AP and AD items amongst your duo carry, and the only real dependence this comp has is to play off of a Noxus opener. If you can get stacks early it snowballs your game into a spot where you winstreak, gain a lot of econ and have a lot of safety rolling for your 3* Darius and Katarina. How to Play: Noxus is a bit more reliant on having a strong Noxus opener because of the importance of securing stacks. The ability to snowball the game is very high if you have Samira 2 + Swain early.īest Emblem/Spatula Holder: Noxus: Azir, Nasus Juggernaut: Katarinaīest Legends: Lee sin, Twisted Fate, Ornn Noxus is really good right now because Samira can hold AD items very well, and swain is an unkillable tank early game. Check out the Legend Guide for more info. The better TFT player will do better with any legend. Different legends fit different players as well. * How to Actually get to Challenger * Best TFT Comps for Set 9 Patch 13.15Ī: Samira Reroll, Shadow Isles, Gunners, Deadeye, Double Trouble Taliyah, Karma Reroll, Ravenous Warwick, Jinx Reroll, Kayle Reroll, Akshan Reroll, Built Different, Challengers, Tristana Reroll, Strategist Azir, Garen Reroll, Riftwalker Kassadin, Ionia Yasuo,ī: Teemo Reroll, Ekko Reroll, Multicaster Reroll, Zed Reroll, Rogue Reroll, Demacia,ī: Master Yi, Aurelion Sol, Pengu, Urf, Ezreal, Twisted Fate, Lee Sin, Veigar, Bard, Tahm Kench,Īll legends work, and the difference between the tiers is VERY LOW because you can just reroll the augment. Catch his streams on Twitch or get coaching from him!īe on the lookout by bookmarking this page or subscribing to my YouTube for the latest news and comps.Ĭheck LEVELING GUIDE so you know what to do for each comp (includes reroll and Augments) He is the Set 5 MSI winner and reaches top 10 every set. We’ve brought Voids1n back to show us Set 9 comps. Updated 8/4 – REROLL PATCH!! Check out Augments guide as well for this patch and the Portal Guide The panel contains three components, laid out by BorderLayout.Ĭontains many panels that have various kinds of borders. Uses a panel, with its default FlowLayout manager, to center three components in a row. The panels use borders and, as necessary, size and alignment hints to affect layout. Uses five panels, four of which use BoxLayout and one of which uses GridLayout. Many examples contained in this lesson use JPanel objects. The layout manager is responsible for positioning the panel's components within the panel's bounds according to some philosophy. Sets or gets the layout manager for this panel. Setting or Getting the Layout Manager Method You can get a component based on its index or x, y position. Gets the specified component or components. Gets the number of components in this panel. The String parameter is similar to the Object parameter. The Object parameter is layout manager dependent and typically provides information to the layout manager regarding positioning and other layout constraints for the added component. By default, the first component added is at index 0, the second is at index 1, and so on. When present, the int parameter is the index of the component within the container. By default, a panel uses a FlowLayout to lay out its components.Īdds the specified component to the panel. The LayoutManager parameter provides a layout manager for the new panel. For more information about the API that all JComponent objects can use, see The JComponent Class.Ĭreates a panel. The following tables list the API you are most likely to use, with the exception of methods related toīorders and layout hints. The methods you are most likely to invoke on a JPanel object are those it inherits from its superclasses Ĭomponent. The API in the JPanel class itself is minimal. With GridBagLayout you can use either add method, but you must somehow specifyįor information about choosing and using the standard layout managers, see Here is an example of how to set the layout manager when creating the panel.ĪBorderPanel.add(aComponent, BorderLayout.CENTER) ĪBorderPanel.add(anotherComponent, BorderLayout.PAGE_END) The latter approach is preferable for performance reasons, since it avoids the unnecessary creation of a FlowLayout object. You can easily make a panel use any other layout manager by invoking the setLayout method or by specifying a layout manager when creating the panel. By default, a panel's layout manager is an instance ofįlowLayout, which places the panel's contents in a row. Like other containers, a panel uses a layout manager to position and size its components. The rest of this section gives hints on grouping and laying out components. Here is what the Converter application normally looks like.Īs the Converter example demonstrates, panels are useful for grouping components, simplifying component layout, and putting borders around groups of components. Each of these JPanel instances uses a top-to-bottom BoxLayout object to lay out its contents. In each ConversionPanel, an instance of an unnamed JPanel subclass colored blue groups two components (a text field and a slider) and restricts their size.Each of these JPanel instances uses a top-to-bottom BoxLayout object (helped by an invisible space-filling component) to lay out the combo box. In each ConversionPanel, a JPanel instance colored magenta is used to ensure the proper size and position of the combo box.Each ConversionPanel panel uses a left-to-right BoxLayout object to lay out its contents. These ConversionPanel panels also have titled borders, which describe their contents and enclose the contents with a line. Two instances of a custom JPanel subclass named ConversionPanel colored cyan are used to contain components and coordinate communication between components.See Using Top-Level Containers for information about content panes. This content pane uses a top-to-bottomīoxLayout to lay out its contents, and an empty border to put 5 pixels of space around them. One JPanel instance colored red in the preceding snapshot serves as a content pane for the application's frame.The Converter example uses panels in several ways: The following picture shows a colored version of the Converter application, which is discussed in more detail in Using Models. A transparent panel draws no background, so that any components underneath show through. You can change a panel's transparency by invoking the setOpaque method. Opaque panels work well as content panes and can help with painting efficiently, as described in In many types of look and feel, panels are opaque by default. By default, panels do not add colors to anything except their own background however, you can easily add borders to them and otherwise customize their painting. JPanel class provides general-purpose containers for lightweight components. Smoother scrolling: This one is courtesy of Microsoft and originally comes from Edge.Automatic image descriptions: A new accessibility setting will allow Chrome to determine image descriptions for the vision impaired automatically.A separate menu for extensions: This would move extensions out of the main menu for a cleaner experience.Focus Mode: This removes the Omnibox, bookmarks bar, and all other potentially distracting elements from tabs and pops them out into standalone windows-for focus.Drive-by-download blocking: This will prevent automatic downloads generated from within ad frames.So if you're reading on your phone and want to take over on your PC, this will let you do that. Tab sending: You'll be able to send tabs directly from one device to another.Here's a look at what to expect from Chrome 75 and beyond. It feels like a stopgap release to pave the way for the bigger things to come-of which there are a lot. ) and will likely remain there in the stable release.Ĭompared to previous releases, Chrome 74 is light on features. This is currently found behind a flag in Chrome OS 74 Beta ( chrome: //flags/#crostini-app-search This will also make installing new Linux apps super easy. It will show currently-install applications, as well as previously-installed applications, and possibly (hopefully?) new applications available for installation. Another new feature will help users find and install new Linux apps directly from the launcher. If you haven't already gathered, there's a lot of focus on Linux apps in Chrome OS 74. ), which is likely also going to be the case in the Stable release. This feature is currently behind a flag in Chrome 74 Beta ( chrome: //flags/#crostini-usb-support Starting in 74, apps running in Linux containers will be able to access USB-connected devices. If you've been longing for the days when you could debug your Android phone using the Linux terminal on your Chromebook (my God, what a sentence), the time is nigh. It looks like the initial rollout may be limited to specific Chromeboxes, but this should pave the way for support to roll out to all Chrome OS devices with Linux support soon after. Similar to audio support for Linux apps, Chrome OS 74 should also bring GPU acceleration-at least to some baseboards. You know, if that's something you've been waiting for. This means that Linux music and video players will work a lot better moving forward. Starting in Chrome OS 74, that should change. Up to this point, Linux apps haven't supported audio playback. Related: How to Set Up and Use Linux Apps on Chromebooks Audio Support for Linux Apps Linux Container BackupsĪ new back up and restore feature for Linux containers will make its way into Chrome OS 74, allowing users to, well, back up and restore their full Linux container-including all files and installed applications-easily. Joe brings that same passion to How-To Geek.While the above-listed items are probably the most significant things for the browser itself, there are a lot of things happening for Chrome OS, especially where Linux apps are concerned. If something piques his interest, he will dive into it headfirst and try to learn as much as possible. Outside of technology, Joe is an avid DIYer, runner, and food enthusiast. After several years of jailbreaking and heavily modifying an iPod Touch, he moved on to his first smartphone, the HTC DROID Eris. He got his start in the industry covering Windows Phone on a small blog, and later moved to Phandroid where he covered Android news, reviewed devices, wrote tutorials, created YouTube videos, and hosted a podcast.įrom smartphones to Bluetooth earbuds to Z-Wave switches, Joe is interested in all kinds of technology. He has written thousands of articles, hundreds of tutorials, and dozens of reviews.īefore joining How-To Geek, Joe worked at XDA-Developers as Managing Editor and covered news from the Google ecosystem. Joe loves all things technology and is also an avid DIYer at heart. He has been covering Android and the rest of the Google ecosystem for years, reviewing devices, hosting podcasts, filming videos, and writing tutorials. Joe Fedewa has been writing about technology for over a decade. Indigenous enlistment Badge of the 107th Battalionīy and large, Indigenous men enlisted at the same percentage as non-Indigenous men but in some communities in even higher numbers. There were government separation allowances to support the families of recruits, but often the money did not reach the people in need or it was insufficient. The wartime industry negatively affected traditional means of livelihood such as hunting and fishing due to low demand at home and overseas. In particular when the veterans returned, the Indigenous men who had taken on jobs were forced out in order to make room for returning veterans. Despite the increase in jobs, many Indigenous communities suffered financial hardships throughout and following the war. Those who remained in Canada were able to find work relatively easily in munitions plants and other war industries, which were considered patriotic contributions. Indigenous communities were also divided over encouraging enlistment, which caused tension. With the absence of such a large number of men, farming, hunting and other jobs fell to the women, children, and elderly within the community. Recruitment of Indigenous peoples had varying impacts on their home communities. Though First Nations were eventually exempt from conscription, the episode bred distrust among Indigenous peoples towards the government and may have led to somewhat lower Indigenous enlistment rates in the Second World War. Note de bas de page 5 The question of Inuit or Métis exemptions from conscription or exemption never arose. Status Indians could still be called to perform non-combat roles in Canada, but the legislation made it easier for them to claim deferrals for industrial or agricultural work. The sustained objection of First Nations people proved successful and on January 17, 1918, an Order-in Council (PC 111) was passed that officially exempted status Indians from combatant duties. Many non-Indigenous peoples publicly supported the exemption of status Indians from conscription. Note de bas de page 3 Conscription was an extremely contentious issue and the Department of Indian Affairs received letters from First Nations demanding an exemption for status Indians. Note de bas de page 2 Some First Nations argued that promises made during treaty negotiations excused them from conscription in foreign wars. The act made no exemption for Treaty Indians, who had expected to be exempt because they did not have the rights of citizenship that obligated Canadian citizens to serve. In August 1917, the Military Service Act instituted conscription, mandatory military service for all British subjects of age to serve. Indian agents held recruiting events on reserves to encourage more First Nations members to enlist. By 1917, the government took a more active role in recruitment as a response to the need for more personnel. In 1915, military and government officials relaxed restrictions, issued formal guidelines and allowed Indigenous recruitment. High casualty rates and the need for more troops led to new policies regarding Indigenous recruits. In the early months of the conflict, Indigenous peoples, eager to volunteer for service, were sometimes turned away, while others were permitted to enlist. Although they were originally discouraged from enlisting, policy would shift during the war to become more accepting of Indigenous enlistment and recruitment. On the eve of the First World War, Canada had no official policy on the recruitment of Indigenous peoples. Recruitment of Indigenous soldiers Blood cadets, St. Post-war experience of Indigenous veterans.Canadian wartime policies on the Homefront.Indigenous soldiers’ experiences during the First World War.Indigenous veterans were not awarded the same benefits as their non-Indigenous counterparts. After returning from service, many Indigenous veterans experienced the same unequal treatment they experienced prior to the war. Footnote 1 Indigenous women were active on the Homefront, contributing to the war effort through fundraising and other means. Many Indigenous peoples distinguished themselves as talented and capable soldiers and at least 50 were awarded medals for bravery and heroism. Hundreds were wounded or lost their lives on foreign battlefields. They served in every major theatre of the war and participated in all of the major battles in which Canadian troops fought. Indigenous soldiers served in units with other Canadians throughout the CEF. Indigenous soldiers served in units with other Canadians throughout the CEF). Métis and Inuit soldiers also enlisted however, only status Indians were officially recorded by the Canadian Expeditionary Force (CEF). About one third of First Nations people in Canada age 18 to 45 enlisted during the war. Many of his hearers may well have gone away without ever stopping to reflect on his deeper meaning, in the same way that many who see Gift Horse may not stop to to reflect on what Hans Haacke is saying. Isaiah uses the graphic image of a person who is in a bad state physically to prompt his listeners to reflect on their bad spiritual state. Not cleansed or bandaged or soothed with olive oil. Isaiah, for example, said,įrom the sole of your foot to the top of your head Maybe it is (though Johnson knew that he was being contrarian and earned a good laugh for doing so) but good art is always open to more than one interpretation because it presents us with images for us to reflect on, rather than telling us what to think.Īrt with such an expressly political edge thus functions very much like the vivid imagery used by the Old Testament prophets. This was such a contrary view to how most people see Gift Horse that Adrian Searle, writing in The Guardian, described Johnson's speech as 'vulgar and somewhat dismissive'. The tubular structures that have received such fantastic investment thanks to our chancellor . . . and indeed playing a part in the greatest economic recovery this city has ever seen, and the driving force of the UK and indeed European economy. But I say absolutely not. . . . In those fabulous tubular structures you will see symbolised the vital infrastructure – the tube that must run beneath the surface of any great and beautiful city. There will be those who say that this undeniably underfed beast . . . is a symbol of the excessive pursuit of austerity and the George-Osborne-diet approach to life. However, Mayor of London Boris Johnson took a very different line on Gift Horse in his speech: Haacke comments that he was 'absolutely flabbergasted' that his proposal was accepted, and says ‘There is no way that something that plays with Wall Street in this fashion would ever be approved under the auspices of the mayor ’. Some 250 years, followers of Smith’s ‘mythical hand’ flock to the City of London, to Wall Street and other market places around the world, while the less fortunate look to the bare bones of the horseplay of today’s gentry. Haacke, always a very political artist, says, Gift Horse reflects the symbols of power which surround it, combines them with a potent symbol of free market capitalism, and places them in the context of death. Image © Dave Pearce, used under a Creative Commons licence. It’s a digital display showing live prices from the London Stock Exchange, which Haacke is using as an oblique reference to Adam Smith's The Wealth of Nations, upon which free-market capitalism is largely based. On its front leg, however, is a bow, as if on a present. It has strong thematic ties, therefore, with the original purpose of the plinth. And, of course, he is in the National Gallery with the painting Whistlejacket, and the work began to come together. But to really speak about what is going on these days it had to be a skeleton and so I started to do some research. . . . I knew Stubbs from the Tate gallery and other places, but I didn’t know he had dissected horses and made these engravings. more I thought and learned about the space, including the fact that an equestrian statue was originally meant to be on the plinth . . . I wanted to do something with a horse. Gift Horse is a twice-life-size skeleton of a horse in a dark gunmetal bronze, partly based on engravings by the eighteenth-century artist George Stubbs. Hack’s Gift Horse was unveiled on 5 March 2015, following Katharina Fritsch’s very popular Hahn/Cock. In 2005, the Mayor of London set up the Fourth Plinth Commission to enable this wonderfully successful series of temporary exhibits to continue. It was followed by Bill Woodrow’s Regardless of History in 2000 and Rachel Whiteread’s Monument in 2001, and then the plinth was empty once more. It remained empty until 1999 when the Royal Society of Arts’ Fourth Plinth Project commenced with Mark Wallinger’s sculpture Ecce Homo. The north-western one, built in 1841 for a statue of William IV on horseback, remained empty as the project ran out of money. The one in the north-east corner supports a statue of George IV on horseback. The plinths in the other three corners of the Square have been occupied by their statues from the outset. Gift Horse by Hans Haacke © Dario Sušanj. The tenth sculpture to occupy the long-vacant fourth plinth in Trafalgar Square is Hans Haacke’s Gift Horse. In turn, they’ll send your messages to bulk folders, thereby hurting deliverability. Hard bounces: Permanent delivery failures due to an invalid, erroneous address, an outdated domain, or an address which has fallen out of use.Ī high bounce rate can indicate to email providers that your list is spammy.Soft bounces: Temporary delivery failures and can occur for a variety of reasons such as the subscriber’s server being down or inbox being full.Still, you should keep an eye on the rate to make sure there isn’t a technical issue. Most EMPs (email marketing providers) will clean an account of bounces. A bounce rate is the number of bounces divided by the number of people the email was sent to. It could be due to their inbox being full, the email address being wrong, or any other number of issues. Bounce RateĪn email bounces when it’s not able to be delivered to a subscriber’s inbox. Click To Tweet Unclean List Indicators: Bounces and Low Open Ratesīelow are the 2 main indicators of an unclean email list: Bounce rate and low open rates. How to Marie Kondo your email list: Discard all email addresses that spark bounce. In this guide, we’ll walk through what it means to have an “unclean” email list, how to know if your account has a problem, and how to clean it to optimize your nonprofit email marketing strategy. This can in turn affect your email deliverability, leaving you to fall in spam filters. This can ultimately lower your engagement metrics like open and click-through rates. But even with an organized account structure, faulty or disengaged emails can be added to your list. What makes a “clean” email list? And how do you go about cleaning a list that isn’t clean? Let’s talk about email hygiene: You want to set your account up for success in the ideal structure for your email marketing tool, or you can update your account following our guide.
Prior to the removal of BetterSnapTool 1.4.1, you should first log into your Mac with an administrator account, and turn BetterSnapTool 1.4.1 off if it is running. In this post we will discuss the following questions: (1) What is the correct way to uninstall BetterSnapTool 1.4.1? (2) How to ensure all its accompanying components are removed safely? And (3) is there a shortcut for both Mac novices and experts to take to accomplish BetterSnapTool 1.4.1 removal effortlessly? Conventional Steps to Uninstall BetterSnapTool 1.4.1 for Mac Even for the experienced users, they may also get lost when trying to uninstall a problematic, stubborn or even malicious application. In the latter case it is quite necessary to clean out those junk files from your Mac for complete removal.įor some novice users, they may have no idea how to remove BetterSnapTool 1.4.1 in a proper way. These vestiges can be very small in size, thus leaving them alone may not affect your Mac performance, yet they can also be a large chunks of useless files that occupy a large portion of your hard drive space. However, a fact is often neglected that, even the stand-alone software may might still leave its configuration and preferences files on multiple system directories after you carry out a basic uninstall. Generally speaking, most Mac applications are separate bundles that contain the executable and any associated resources for the app, and therefore users can easily remove any unwanted software (if they are installed properly) from their Macs. In normal cases Mac users just need to simply drag and drop the target app to the Trash and then empty the Trash to perform the standard uninstallation. Uninstalling applications in macOS/Mac OS X is quite different from that in Windows operating system. Things you should know about Mac app removal: How to uninstall BetterSnapTool 1.4.1 on Mac computer? If you encounter problem when trying to delete BetterSnapTool 1.4.1 as well as its associated components, read through this removal tutorial and learn about how to perfectly remove any unwanted applications on your Mac. Remove BetterSnapTool 1.4.1 effectively - Mac Uninstall Guide You can learn more about pests and diseases that can be a problem with Cordylines How to stop a Cordyline growing too large Winter protection is essential as it will prevent slime flux and frost damage from harming the plant too. Doing it at this time will also allow the splashes of water on the leaves time to dry before the sun comes up as this can lead to burnt leaves. Additionally, remember to water them in the morning to prevent wilting, this is even more important during times of drought or when you are growing them in pots.įurthermore, for the plants to reduce the chances of pests and fungal diseases, water them in the morning. A Cordyline that lacks sunshine will suffer from dull leaves, especially for those with coloured foliage where you will notice the hues start to fade. In terms of sunlight, Cordylines need a few hours of direct sunlight to grow healthily and maintain their foliage colour so full dun or dappled shade is usually the best place for them to be planted. This is so that you can get the most out of them or even reduce their size so they become much more manageable. Regardless of the variety you want to cultivate, you should know the perfect conditions for Cordylines to thrive. You can learn how to prune Cordylines here How do you assist Cordylines in growing optimally?Ĭordylines are easy-going plants that require very little maintenance as long as they get water and nutrients from the soil. Pruning can also help create a multi-stemmed Cordyline that looks more like a traditional palm tree. Prune the plant to help it rejuvenate it when you notice the foliage and blooms are not quite what they used to be. It may take a Cordyline an estimated three to four years to form bark and up to 20 years to fully mature and reach its eventual height. This depends on the variety you have because different varieties have varied characteristics. Learn more about protecting Cordylines during the winter here How long do they take to reach their full size? However, it is better suited to milder climates or for growing in pots and being given some protection over winter. The Cordyline Red Star is one of the hardier varieties, second after the common green one, and this will often reach heights of around 3 meters when it is planted in the ground. Cordyline australis is endemic to New Zealand.The Cordyline Red Star is one of the hardier varieties that won’t grow too tall.Toxic to dogs, toxic to cats, toxic to horses.Watch for mealybug, scale and spider mites. Ideal as an accent plant in sunny borders or in decorative containers. Great for beds and borders, city gardens, coastal gardens, gravel gardens or Mediterranean gardens.Tie the leaves loosely into a bunch to protect the vulnerable tip. Though frost hardy, young Cordyline australis plants are more prone to cold damage. Tolerates a wide range of soils from wet to dry ones. Easily grown in fertile, moist, well-drained soils in full sun to light shade.Will branch to produce several heads over time. Adds architectural height to the garden and grows with an upright habit up to 10-20 ft.Often seen as a specimen gracing a terrace or deck, it is also well-suited to both traditional and contemporary planting schemes. It produces impressive panicles of small, sweetly scented white flowers in late spring to early summer, on mature plants. Adding drama year-round with its bold color and tropical look, this beautiful palm introduces substance to the garden. Showy and vigorous, Cordyline australis 'Red Star' (Cabbage Palm) is a palm-like, sub-tropical tree with arching, sword-like, dark burgundy leaves. |
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